Before you know it, you’re crawling across the carpet in your underwear trying to find a rhyme for ‘orange’.

Hard on the heart, hard on the head and it just drives you mad. I’m very disciplined in that I can settle down into the work situation but coming up with the words is very hard. I mean, I don’t want to whine about it or anything but.it’s a bitch! It’s terrible work. The cast brought to bear on the album was more akin to a movie production and included both a choir and an orchestra.' The songwriting process had not gotten easier for Cohen over the years in an interview with Q, the singer admitted, “I’ve never found it easy to write. The number of studios used ran into double figures and was spread between Montreal and Los Angeles, although the original plan was to record it in Montreal only, with the same personnel that had worked on I'm Your Man. Anthony Reynolds notes in his book Leonard Cohen: A Remarkable Life that work on Cohen's ninth studio album 'was not forged in one concentrated effort. Cohen also began a romantic relationship with the actress Rebecca De Mornay. Īfter touring successfully in support of his 'comeback' album I'm Your Man (1988), Cohen took a year off to help his son Adam convalesce after a serious car accident in the West Indies left the young man in a coma for four months. The Future made the Top 40 in the UK album charts, went double platinum in Canada, and sold a quarter of a million copies in the U.S., which had previously been unenthusiastic about Cohen's albums. The album built on the success of Cohen's previous album, I'm Your Man, and garnered overwhelmingly positive reviews. The album was recorded with a large cast of musicians and engineers in several different studios the credits list almost 30 female singers.

Both the fall of the Berlin Wall and the 1992 Los Angeles riots took place while Cohen was writing and recording the album, which expressed his sense of the world's turbulence. Almost an hour in length, it was Cohen's longest album up to that date.

The Future is the ninth studio album by Canadian singer-songwriter Leonard Cohen, released in 1992. Leonard Cohen, Steve Lindsey, Bill Ginn, Leanne Ungar, Rebecca De Mornay, Yoav Goren

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